In approximately 10% of the world population, kissing does not take place, for a variety of reasons, including that they find it dirty or because of superstitious reasons. For example, in parts of Sudan it is believed that the mouth is the portal to the soul, so they do not want to invite death or have their spirit taken. Psychology professor Elaine Hatfield noted that "kissing was far from universal and even seen as improper by many societies." Despite kissing being widespread, in some parts of the world it is still taboo to kiss publicly and is often banned in films or in other media.
The first romantic kiss on screen was in American silent films in 1896, beginning with the film The Kiss. The kiss lasted 18 seconds and caused many to rail against decadence in the new medium of silent film. Writer Louis Black writes that "it was the United States that brought kissing out of the Dark Ages." However, it met with severe disapproval by defenders of public morality, especially in New York. One critic proclaimed that "it is absolutely disgusting. Such things call for police interference."
Young moviegoers began emulating romantic stars on the screen, such as Ronald Colman and Rudolph Valentino, the latter known for ending his passionate scenes with a kiss. Valentino also began his romantic scenes with women by kissing her hand, traveling up her arm, and then kissing her on the back of her neck. Actresses were often turned into stars based on their screen portrayals of passion. Actresses like Nazimova, Pola Negri, Vilma Bánky and Greta Garbo, became screen idols as a result.
Eventually, the film industry began to adopt the dictates of the Production Code established in 1934, overseen by Will Hays and influenced by Christian religious leaders in America.   According to the new code, "Excessive and lustful kissing, lustful embraces, suggestive postures and gestures, are not to be shown." As a result, kissing scenes were shortened, with scenes cut away, leaving the imagination of the viewer to take over. Under the code, actors kissing had to keep their feet on the ground and had to be either standing or sitting.
Sociologist Eva Illouz notes that surveys taken in 1935 showed that "love was the most important theme represented in movies. Similar surveys during the 1930s found the 95% of films had romance as one of their plot lines, what film critics called "the romantic formula."
In early Japanese films, kissing and sexual expression were controversial. In 1931, a director slipped a kissing scene past the censor (who was a friend), but when the film opened in a downtown Tokyo theater, the screening was stopped and the film confiscated. During the American occupation of Japan, in 1946, an American censor required a film to include a kissing scene. One scholar says that the censor suggested "we believe that even Japanese do something like kissing when they love each other. Why don't you include that in your films?" Americans encouraged such scenes to force the Japanese to express publicly actions and feelings that had been considered strictly private. Since Pearl Harbor, Americans had felt that the Japanese were "sneaky", claiming that "if Japanese kissed in private, they should do it in public too."
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